Some things begin by chance.
That was the case for Ryan Preciado, who learnt carpentry simply because someone couldn’t pay him for a film. Instead of money, he received a lesson. From that moment, a passion was born - one that has since evolved into an artistic language blending craft, memory, and history.
Preciado doesn’t make furniture. He tells stories through it.
Each of his designs is a dialogue between past and present, between the craftsmanship of his Chumash ancestors and Californian car culture. It’s a fusion of Memphis humour and modernist discipline, where contradictions aren’t flaws but spaces for reflection.
His works, such as the Chumash Chair and the Pope Cabinet, show that design is not merely about aesthetics, but about memory - both personal and collective, often forgotten or erased from history.
In Preciado’s projects, one can find questions about who truly shaped the heritage of modern design and whose names have been written out of it.
The future doesn’t spring from innovation, but from memory.
From everyday objects, from the work of one’s hands, from the places our thoughts return to. Preciado reveals that design is not only form, but a language of remembrance - a record of emotions and stories that shape our identity. Each of his creations becomes a bridge between past and present, between what is personal and what is shared.
